A look of cultural complexity in America

“A Day in the Life of Chemin Hsiao” (Allegory of a Sucker Punch) 2021, oil on linen, 52 x 45 inches, by Teresa Dunn.

TRAVERSE CITY, MI (AAPNW) – Opening on Saturday, January 2023, “Teresa Dunn: US at the Dennos Museum Center will be a recent narrative painting series by this artist, who brings voice to stories that people of color, individuals with complex cultural identities, and immigrants shared with her about their daily experience in America.

As a brown Mexican-American in the Midwest, Dunn’s paintings consider isolation and belonging, joy and struggle, and relationships and identity through visually poetic constructed realities. The narratives are fictive futures, potential alternate realities, speculative nonfiction, or distorted depictions of past events.

“The Ballad of Lillian Young” (Allegory of Black Joy and Sorrow), 2020, oil on canvas, 40 x 30 inches, by Teresa Dunn.

Artist Dunn uses color, light, and painterly surfaces to build psychological tension on questions of race and gender. Her paintings, which will remain on view through May 28, 2023, are not educational nor do they propose solutions for the issues they consider, instead US values representations of Black and Brown lives.

About

Teresa Dunn is a Mexican American artist raised in rural Southern Illinois. Her identity, life, and art are influenced by her racial and cultural heritages and the complexities of being a brown woman in the Midwest. Dunn received her MFA from Indiana University Bloomington in 2002. She is a three-time recipient of the Elizabeth Greenshields Foundation Fellowship and received the Jacob K Javits Fellowship from the US Department of Education. Dunn is represented by First Street Gallery in NYC and Galerie l’Échaudé in Paris, France. She exhibits widely and is currently an Associate Professor of Painting and Drawing at Michigan State University in East Lansing where she has taught since 2006.

“The Ballad of Azya Moore” (Ode to Zora Neale Hurston), 2021, oil on linen, 66 x 40 inches, by Teresa Dunn.

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